Country Thunder Official Kickoff Party


Date: Thursday, October 20, 2022

Show time: 5:00 pm


Start the Country Thunder weekend off right with ticket giveaways, drink specials, a special performance from Shane Profitt, and a big ole dance floor at Ole Red in Icon Park. This is your last chance to win tickets to the festival, pick up your wristbands, and get the party started at the official Honky-Tonk of Country Thunder.

Event is free and open to the public, and of course we’ll have that dance floor open all night long!

Details:
Start lining up at 5pm to pick up your wristband for a chance to win a custom autographed guitar or a Platinum Experience upgrade!

7pm-8pm- Shane Profitt hits our stage for a special performance

Life can change fast ā€“ just ask Shane Profitt, an emerging Country star from the small town of Columbia, Tennessee.
At the end of 2021, he was still pulling overtime at his job with the city, busting his back about an hour south of Nashville and living for the weekend ā€¦ with a few decades left to go. But now the 22-year-old is rocking sold-out crowds at the historic Ryman Auditorium, touring with his chart-topping hero and writing modern Country tunes so genuine, they slip on like a pair of broken-in work boots. Because no one has to tell this singer/songwriter what a blue-collar life is all about.
ā€œBack in November I was still working for the city of Columbia, getting up at 6 oā€™clock every morning and working 8 hours a day ā€“ and I hated every minute of it,ā€ he says with a laugh, noting how far heā€™s come in such a short time. ā€œWhen people hear the name Shane Profitt, I want them to automatically know Iā€™m no different than them, because I actually lived that 40-hour-week life. And it wasnā€™t that long ago.ā€
Now signed to BMLG Records/Harpeth 60 Records, Profitt is back on the clock and hard at work once more ā€“ because itā€™s all he really knows. But these days, the job description is different.
A salt of the earth Southerner with a big, barrel-chested voice, a straight-shooting swagger and a kind smile, Profittā€™s musical toolbox is full of all-natural talent, but he admits to only recently learning the craft. The journey starts a few years ago, when his grandad asked what he wanted for Christmas.
As it turns out, Profittā€™s family has its roots in Eastern Kentucky, and get-togethers would often turn into picking parties ā€“ since almost everyone played music (except him). His grandad loved traditional bluegrass, while Profittā€™s parents were fans of Keith Whitley, Hank Williams Jr. and Merle Haggard, and each would play what they loved. Profitt just wanted to do the same.
ā€œI told him I didnā€™t really want anything ā€“ except to learn how to play Hank Jr. songs on guitar,ā€ the kind-hearted youngster recalls. ā€œSo he taught me G, C and D, and I just stuck with it. It all started with those three chords.ā€
Soon Profitt had surpassed his original goal, and within six months was playing his first paying gig in Columbia. Gifted with a heavy-duty vocal, he became a regular draw at the popular Southern-cooking chain, Puckettā€™s, traveling all over Tennessee to weekend shows while still holding down his job back home. And while that made for some long hours, it also led to inspiration for original music.
Calling himself a sucker for ā€œKeith Whitley-style heartbreaker,ā€ his first self-penned song was the start of a new life, because within a few months Profitt had begun a new kind of shift work. Working all day and then fighting brutal rush-hour traffic, heā€™d drive to Nashville each night, just hoping to find someone to write with. Oftentimes heā€™d get home just five hours before his alarm went off the next morning, get up and do it all over again. But it was worth it.
One day he was having dinner when his modern-Country hero walked in the restaurant. And after summoning the courage to say hello, he and Chris Janson became fast friends.
Impressed by Profittā€™s boots-on-the-ground writing style ā€“ and his good Southern manners ā€“ Janson began mentoring the aspiring star. He would even send Profitt song ideas, and some days the newcomer would park his mower under a shade tree and work out lyrics over lunch ā€“ which eventually led to ā€œThe Reel Bass Proā€ becoming Profittā€™s first cut, appearing on Jansonā€™s All In album.
It wasnā€™t long before Janson was inviting his protege to open shows, but months went by before Profitt finally put in his two-week notice, quitting his day job and signing a 2021 publishing deal to Jansonā€™s Old Tom Publishing/Anthem Entertainment. And after spending the spring of 2022 rocking crowds on the Halfway to Crazy Tour, ā€œCountry Boysā€ completes his transformation.
Built on the foot-tapping foundation of his granddadā€™s bluegrass roots, itā€™s a fast talking Friday-night tribute to the only life Profitt knows, and after landing the singer-songwriter a record deal, his new career is underway.
ā€œItā€™s such a genuine song to us who actually live it,ā€ Profitt says. ā€œIt speaks to people just like me.ā€
The same is true about the rest of Profittā€™s recording debut, which was executive produced by Janson with Big Machine Label Group Chairman and CEO Scott Borchetta and features GRAMMYĀ® Awards winner Julian Raymond as producer. With tracks like the hook filled honky tonker “Better Off Fishin’,” the hopeful heaven-on-earth anthem “How It Oughta Be” and chest-thumping charmer “Guys Like Me,” Profitt puts his life to music — along with the lives of so many others. And this is just the beginning.
ā€œIā€™m a writer on every single song, and Iā€™m not gonna write about something I have no idea about,ā€ Profitt says. ā€œSo Iā€™m dang sure not gonna sing about something I donā€™t know, either.ā€
ā€œI just wanna be known as the guy thatā€™s been there, and is as genuine as they come,ā€ he goes on. ā€œAnd thatā€™s not ever gonna change.ā€


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